He’s accompanied by superficial cultural expert Clara (Alana de la Garza), daredevil-y Matt (Daniel Henney) and caustic former coroner Mae (Annie Funke). Leading the IRT squad with the gruff authority that has made him CBS’ go-to star for third franchise installments is Gary Sinise, playing Jack Garrett, a name that probably came from the CBS Procedural Lead Name Generator. In both instances, we learn that this kind of thing happens somewhat frequently, but the local authorities are either too backward or too overwhelmed or too invested attending to their own people to help tourists, so the FBI’s International Response Team is sent in. The second episode moves to Mumbai where a young American guy attending an EDM festival blacks out and wakes up in a slum missing his kidney. Premiering on Wednesday, the first Beyond Borders episode available for critics focuses on two young American women, working at a farm in Thailand, who find themselves kidnapped and sobbing within the opening eight minutes, which has always been practically the Criminal Minds default setting. Subsequent episodes of Beyond Borders may vary the formula, but I can only draw conclusions based on the representative episodes I’ve seen and those are what CBS has chosen to lead with. On Criminal Minds, unsubs are aberrations, but on B eyond Borders, they’re products of their non-American environments, lurking in wait for tourists, young tourists, as their parents huddle at home in misery. The MO of the typical Criminal Minds unsub is usually an internalized psychoses of some sort, but in both episodes of Beyond Borders made available for critics, the unsubs were fueled by something cultural, something specifically alien to our Western culture. It’s fairly easy to get the cautionary lesson from Beyond Borders, in which visiting a different place becomes a recipe for abduction, human trafficking or organ harvesting. There’s little harm in the Criminal Minds formula, because that show’s viewers aren’t going to suddenly stop going to the bowling alley or the grocery store or their church just because they saw a pin-setter or a bagger or a pastor trussing women up in dark spaces. So if Criminal Minds is about distrusting the recognizable and mundane, Criminal Minds: Beyond Borders is about the fear of the unfamiliar, the fear of the other, the fear of the foreign and of foreigners. One of the things the show has done most successfully is lure recognizable actors, usually performers best known as likable or bland types, giving them the opportunity to play dark and twisted. For 250+ episodes, Criminal Minds has let viewers know that every seemingly benign shopkeeper or school teacher could have a killing room in their basement and that anybody could be the next victim. Criminal Minds: Beyond Borders is essentially an inversion of the Criminal Minds formula, which has been dedicated to the horrors lurking beneath American banality, the terror of the everyday.
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